Jouin Manku 在巴黎旺多姆广场 20 号为梵克雅宝高级珠宝品牌设计了一个全新的巴黎展示柜。Patrick Jouin 和 Sanjit Manku 借鉴了传统技艺和尖端技术,以旺多姆广场为灵感打造典型的巴黎室内装饰。设计师选择巴黎石灰石作为他们的材料,像梵克雅宝的工匠一样对待它,从一块石头开始,把它变成一个充满诗意、动感、微妙和技巧的设计。

多年来,Van Cleef & Arpels 和 Jouin Manku 因对创造力、独创性和某种前卫主义的共同热情而团结在一起。这种关系体现在 Nicolas Bos(Van Cleef & Arpels 总裁兼首席执行官)与 Patrick Jouin 和 Sanjit Manku 之间的同谋,在 Jouin Manku 为品牌在香港、纽约和巴黎的标志性精品店设计的室内设计中体现得淋漓尽致。
两人还负责为梵克雅宝设计了五场大型展览:东京森艺术中心的《美的精神》;纽约 Cooper-Hewitt 国家博物馆的“Set in Style”;上海当代艺术馆《永恒之美》;巴黎装饰艺术博物馆的“L’Art de la Haute Joaillerie”;2016 年 4 月至 8 月,梵克雅宝:《宝石的艺术与科学》,新加坡艺术科学博物馆。2016 年,所有的目光将再次转向旺多姆广场,这里是巴黎优雅和法国高级珠宝的代名词。毗邻梵克雅宝 (Van Cleef & Arpels) 历史悠久的旺多姆广场 (Place Vendôme),由 Jouin Manku 于 2006 年翻新,旺多姆广场 20 号为设计师提出了新的创意挑战。

深入了解他们熟悉的品牌的基本原理,他们的任务是提供一种新的、出乎意料的诠释,既迷人又传递对梵克雅宝如此重要的奇迹感。

为此,Patrick Jouin 和 Sanjit Manku 提议使用旺多姆广场的原材料,这是一个由 Jules Hardouin Mansart 在路易十四统治末期设计的公共广场:一个完美的八角形,全部是石头,内敛和几何。设计师们会像梵克雅宝的工匠一样对待巴黎石灰石,从一块石头开始,将其加工成充满诗意、动感、微妙和技巧的设计。

为此,Patrick Jouin 和 Sanjit Manku 提议使用旺多姆广场的原材料,这是一个由 Jules Hardouin Mansart 在路易十四统治末期设计的公共广场:一个完美的八角形,全部是石头,内敛和几何。设计师们会像梵克雅宝的工匠一样对待巴黎石灰石,从一块石头开始,将其加工成充满诗意、动感、微妙和技巧的设计。

抵达后,参观者的目光立即被吸引到该项目的主要建筑特色——楼梯。
Patrick Jouin 和 Sanjit Manku 的作品通常以雄伟的楼梯为特征。楼梯可以给空间一个戏剧性的维度,并邀请进一步的探索。楼梯为这个新项目定下了基调。真正的绝技,楼梯的技术工作完全隐藏,就像梵克雅宝著名的 Serti Mystérieux™ 为宝石提供隐形镶嵌一样。

楼梯由七块大块的数字磨石制成,从中间穿过。悬挂在中心的缆索赋予结构刚性,就像脊柱一样。
与此同时,扶手为楼梯赋予了存在感:采用另一种典型的巴黎材料锻铁制成,其设计灵感来自蝴蝶的翅膀。
尽管材料很坚固,但结构却具有令人难以置信的轻盈感。
精致和透明,运动的印象……这些都是为这款独特作品设计提供信息的理念。楼梯从第一眼就欢迎游客,它有机、大方的形状邀请他们爬上楼,在那里他们发现一系列沙龙,让人联想到巴黎的公寓。在楼梯脚下,一个高大的椭圆形展示柜,带有细长的切割玻璃圆顶盖,与光线和珠宝闪烁。

在楼上,为了平衡石头和锻铁的矿物质含量,Patrick Jouin 和 Sanjit Manku 使用了从灰色到米色,再到微妙的海绿色的调色板。展示柜和天花板上装饰着散布在石膏或石头上雕刻的植物图案。
覆盖某些墙壁和天花板的织物上绣有相同的设计,这是对激发梵克雅宝设计灵感的自然形式的参考。这个上层的一系列沙龙与拱形窗户对齐,可以欣赏到旺多姆广场及其柱子的壮丽景色。
这些窗户的周围装饰着沙沙作响的树叶浮雕,上面布满了蝴蝶、鸟类和星星。没有比日光更好的光线来欣赏宝石的纯度,使这些沙龙成为展示卓越珠宝的理想私人环境。与此同时,Van Cleef & Arpels 梵克雅宝档案中的物品和文件陈列在沿走廊排列的特制箱子中。
由 Patrick Jouin 和 Sanjit Manku 设计的家具进一步增强了优雅的氛围。

正如梵克雅宝 (Van Cleef & Arpels) 的非凡作品只能手工制作,两位设计师团队的共同努力和技能创造了这个敏感的室内装饰,让石头焕发生机。
在新技术的帮助下,专业工匠成功地应对了 Jouin Manku 的设计挑战——真正展示了设计师在技能发展中所扮演的角色。设计师的愿景与卓越的工艺水平相结合,创造了一个空间,将精致的珠宝带入当代领域,具有明显的巴黎身份。

Jouin Manku designs a new Parisian showcase for the High Jewelry Maison Van Cleef & Arpels at 20 Place Vendôme, Paris.
Patrick Jouin and Sanjit Manku draw on traditional skills and cutting-edge technology for their take on a typically Parisian interior, inspired by the Place Vendôme.

The designers selected Paris limestone as their material, treating it as Van Cleef & Arpels’ craftsmen might, starting with a stone and working it up into a design, full of poetry, movement, subtlety and fi nesse.

Van Cleef & Arpels and Jouin Manku have for many years been united in their shared passion for creativity, ingenuity and a certain avant-gardism. This relationship, embodied by the complicity between Nicolas Bos (President and CEO, Van Cleef & Arpels) and Patrick Jouin and Sanjit Manku, is evident in Jouin Manku’s interior designs for the Maison’s emblematic boutiques in Hong Kong, New York and Paris.
The duo is also responsible for the design of five substantial exhibitions dedicated to Van Cleef & Arpels: «The Spirit of Beauty» at the Mori Arts Center, Tokyo; «Set in Style» at the Cooper-Hewitt National Museum, New York; «Timeless Beauty» at MOCA, Shanghai; «L’Art de la Haute Joaillerie» at the Musée des Arts Décoratifs, Paris; and from April – August 2016, Van Cleef & Arpels: «The Art and Science of Gems» at ArtScience Museum, Singapore. In 2016, all eyes will once again turn to the Place Vendôme, a place synonymous with Parisian elegance and French High Jewellery. Adjacent to Van Cleef & Arpels’ historic Place Vendôme address, renovated by Jouin Manku in 2006, 20 Place Vendôme poses a new creative challenge for the designers.

Diving further into the fundamentals of a Maison that they know well, their task was to deliver a new, unexpected interpretation that would both charm and deliver the sense of wonder so important to Van Cleef & Arpels.

To this end, Patrick Jouin and Sanjit Manku proposed working with the raw material of the Place Vendôme, a public square designed at the end of the reign of Louis XIV by Jules Hardouin Mansart: a perfect octagon all in stone, restrained and geometric. The designers would treat Paris limestone as Van Cleef & Arpels’ craftsmen might, starting with a stone and working it up into a design, full of poetry, movement, subtlety and finesse.

To this end, Patrick Jouin and Sanjit Manku proposed working with the raw material of the Place Vendôme, a public square designed at the end of the reign of Louis XIV by Jules Hardouin Mansart: a perfect octagon all in stone, restrained and geometric. The designers would treat Paris limestone as Van Cleef & Arpels’ craftsmen might, starting with a stone and working it up into a design, full of poetry, movement, subtlety and finesse.

Upon arrival, the visitor’s gaze is immediately drawn to the key architectural feature of the project, the staircase.
Patrick Jouin and Sanjit Manku’s work is often characterised by a majestic stair. A staircase can give a space a theatrical dimension, and invites further exploration. The stair sets the tone for this new project. A true tour de force, the stair’s technical workings are completely hidden, in just the same way that Van Cleef & Arpels’ famous Serti Mystérieux™ provides an invisible setting for precious stones.

The stair is made of seven large blocks of numerical milled stone, pierced down the middle. A cable suspended through the centre lends the structure rigidity, like a spinal column.
The handrail, meanwhile, gives the stair its presence: made in wrought-iron, another typically Parisian material, its design is inspired by the wings of a butterfly.
Despite the solidity of the material, the structure has an incredible lightness.
Delicacy and transparency, an impression of movement… these are the ideas that informed the design of this unique piece. The stair welcomes the visitor from their very first glimpse, its organic, generous shape inviting them to climb upstairs where they discover a sequence of salons reminiscent of a Parisian apartment. At the foot of the stair, a tall oval display case with an elongated, cut-glass, domed cover plays with the light and the sparkle of jewels.

Upstairs, to balance the mineral presence of the stone and wrought-iron, Patrick Jouin and Sanjit Manku have used a palette of colours from grey to beige, to a subtle sea green. Display cases and ceilings are decorated with a scattering of plant motifs carved in plaster or stone.
The same design is embroidered on the fabrics that cover certain walls and ceilings, a reference to the natural forms that inspire Van Cleef & Arpels’ designs. The series of salons on this upper level align with the arched windows that give impressive views over the Place Vendôme and its column.
The surrounds of these windows are decorated with a relief-work tangle of rustling leaves, filled with butterflies, birds and stars. There is no better light than daylight for appreciating the purity of gemstones, making these salons the ideal private environment for presenting exceptional pieces of jewellery. Meanwhile objects and documents from Van Cleef & Arpels’ archives are displayed in purpose-built cases that line a corridor.
The elegant atmosphere is further enhanced by the furniture, also designed by Patrick Jouin and Sanjit Manku.

Just as Van Cleef & Arpels’ exceptional pieces can only be made by hand, so it is the combined efforts and skills of the teams engaged by the two designers that have created this sensitive interior where stone is brought to life.
With the help of new technologies, the specialist craftsmen have succeeded in meeting Jouin Manku’s design challenges – a genuine demonstration of the role designers play in the evolution of skills. The convergence of the designers’ vision with an exceptional level of craftsmanship has enabled the creation of a space that brings exquisite jewellery into a contemporary realm, with an unmistakeably Parisian identity.

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