Ordrupgaard Museum
奥德鲁普加德位于哥本哈根北部的杰格斯堡迪勒哈夫附近，是欧洲北部19世纪和20世纪早期法国和丹麦艺术收藏最全的地方。该博物馆最初是一战期间新古典主义风格的三翼乡村宅邸，2005年由扎哈·哈迪德设计的现代化1150平方米的玻璃和黑色熔岩混凝土扩建部分对其进行了扩建。
Snøhetta的设计大部分是地下的，但也有一部分是从景观中挖掘出来的，在整个博物馆及其周围的公园和花园中创造了一条整体和连续的道路，将哈迪德的特别展览延伸与博物馆的原始建筑和永久收藏联系起来。总的来说，Snøhetta的设计包括景观干预以及五个全新的地下展览空间，其中两个是哈迪德展览空间的延续，三个专门用于博物馆的主要景点之一：其广泛而永久的法国印象派绘画收藏。
通过创新而低调的设计，新扩建部分及其展览空间允许在奥德鲁普加德（Ordrupgaard）进行循环运动，通过博物馆丰富的藏品和郁郁葱葱的花园创造连续运动。在展览设计、艺术保护和展示方面，该设计进一步达到了最高的国际标准，为所有人提供了一个舒适、直观的博物馆之旅。
Situated near Jægersborg Dyrehave, north of Copenhagen, Ordrupgaard houses Nothern Europe’s most comprehensive collection of French and Danish art from the 19th and early 20th century. Originally built as a three-winged country mansion in the neo-classical style during World War I, the museum was expanded by a modern 1,150 m2 glass and black lava concrete extension in 2005, designed by Zaha Hadid.
Snøhetta’s design, most of which is underground, but also partly excavated from the landscape, creates a holistic and continuous path throughout the entire museum and its surrounding park and gardens, linking Hadid’s extension for special exhibitions with the museum’s original building and permanent collection. In total, Snøhetta’s design comprises landscape interventions as well as five brand new, subterranean exhibition spaces, two of which create a continuation of Hadid’s exhibition space, and three specially dedicated to one of the museum’s main attractions: its extensive and permanent collection of French impressionistic paintings.
Through its innovative yet subdued design, the new extension and its exhibition spaces allow for a circular movement through Ordrupgaard, creating a continuous movement through the museum’s rich collection and lush gardens. The design further lives up to the highest international standards when it comes to exhibition design and art conservation and display, providing a comfortable and intuitive museum journey that is accessible and tangible for all.
Renovation & Expansion, Architecture, Landscape, Interior, Museum & Gallery, Public Space
● Timeline
2019-2023
● Status
Ongoing
● Location
Arendal, Norway
● Client
MSLKS, Slots og Kulturstyrelsen
Snøhetta设计的三个主要展览空间中最大的一个，从外部可以部分地看到，它是一个整体式、钢涂层的雕塑结构，似乎是从地下更大的空间挖掘出来的。就像一个隐藏的宝藏，当它在挖掘过程中显现出来时，它会在景观中闪闪发光。该建筑采用了多种不同的刻面，并在不同的方向进行了抛光，在白天和季节的变换中创造出一种光的效果。
在概念上被称为“天堂花园”（Himmelhaven）（“天堂花园”）的外部延伸在很大程度上是印象派艺术时期的“斜坡”，其特点是不断努力捕捉光线及其不断变化的品质，并在世界著名艺术家如马奈、莫奈、德加和雷诺阿的画布上不朽。该建筑的另一个特点是景观中的对角线切割，直观地引导游客进入哈迪德2005年扩建的主入口。这个切口形成了一座天然石桥，连接入口和花园。
The largest of the three main exhibition spaces designed by Snøhetta can be partly seen from the outside as a monolithic, steel-coated sculpturesque structure that seems somewhat excavated from a larger volume below ground. Just like a hidden treasure that reveals itself as it appears during excavation, the structure glistens in the landscape. Cut in a wide range of different facets and polished in different directions, the structure creates a play of light throughout the days and shifting seasons.
Conceptually dubbed “Himmelhaven” (“Heaven’s Garden”) the extension exterior is very much a “clin d’œil” to the impressionistic art period, characterized by its constant efforts to capture light and its changing qualities, and immortalized on canvases by world-renowned artists such as Manet, Monet, Degas, and Renoir. The structure is further characterized by a diagonal cut in the landscape that intuitively leads visitors to the main entry by Hadid’s 2005 extension. The cut forms a bridge of natural stone linking entry and garden.
该建筑周围的迷你中庭半沉入地下，进一步突出了从景观中挖掘出希梅尔黑文的幻觉。通过其综合照明和座位区，它成为一个游客可以坐下来逗留的空间，欣赏博物馆周围郁郁葱葱的百年老公园的景色。建筑师称其为“第三花坛”，Snøhetta的扩建部分标志着景观的延续，位于奥德鲁普加德的英式公园与落叶树的交汇处，其中许多落叶树结满果实，邻近一个较小的法国玫瑰园。
The illusion of Himmelhaven being excavated from the landscape is further emphasized by the structure’s surrounding mini-atrium which is half sunken into the ground. With its integrated lighting and seating areas it becomes a space where visitors can sit down and linger, enjoying the views of the lush century-old park surrounding the museum. Referred to by the architects as a “third parterre”, Snøhetta’s extension marks a continuation of the landscape and is placed at the intersection of Ordrupgaard’s English style park with its deciduous trees, many of them fruit bearing, and an adjacent smaller French-inspired rose garden.
在施工阶段，Snøhetta的景观团队精心保护受保护的公园，确保在周围公园和新扩建部分之间形成外科手术般的切口。Snøhetta还非常小心地改变了哈迪德扩建部分周围的景观，在山坡上种植了草甸花，对建筑进行了一定程度的挖掘，并将建筑与两个哈迪德风格的地下展览空间结合起来。
During the construction phase, Snøhetta’s landscape team worked meticulously to safeguard the protected park, ensuring a surgical-like cut between the surrounding park and new extension. Snøhetta has also altered the landscape surrounding Hadid’s extension with great care, planting the hillside with meadow flowers, and excavating the building somewhat, as well as integrating the building with the two Hadid-inspired subterranean exhibition spaces.
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